Terminal 2 is home to Southwest Airlines and all international arrivals. As the welcoming point for travelers from the St. Louis region and far off places, Terminal 2 features bold, colorful artwork that grabs the attention of visitors and displays our regional talent and pride.To view previous exhibitions, visit the Exhibition Archives page.
Old Signs of St. Louis by Dave Adams
Terminal 2, Post-Security, between gates E18 & E20
Old Signs of St. Louis is composed of 14 images that have defined the entrances to theaters, hotels, diners, doughnut shops and record stores for decades. The signs are iconic St. Louis treasures in themselves, standing tall against the more prolific modern signage that dots our street landscapes.
Old Signs of St. Louis is on display through December, 2019.
Phantasmic Revolution by Lola Ogbara
Terminal 2, Post-Security, near gate E10.
Through the use of multiple materials in her work, Ogbara is able to create paintings that appear three dimensional and cater to the wanderlust of travelers at STL. Phantasmic Revolution sparks the curiosity of viewers by playing on their own conception of design and travel, and challenges them to transform their travel experiences. Phantasmic Revolution is composed of 15 collage paintings using watercolor, illustration, and glitter that encourage the mind to think of design outside of customary understandings.
Phantasmic Revolution is on display now through November 18, 2019
The Smile Series by TraNisha (Triggy) Herrington
Terminal 2, Post-Security, between gates E33 & E34
This selection of The Smile Series was created by Triggy as a way to spark conversation and challenge traditional societal views of women, particularly the need for women to smile despite what they may be enduring in their personal lives. All five women in the exhibition are featured without smiling. The absence of a smile helps convey the message that women are not just for show, but have an important role in changing the narrative of many social settings.
The exhibition is composed of five portraits, Ophelia, Angee, Earline, Winnie, and Amber, each made from paper pulp, acrylic, dye, and wood that together create the multidimensional faces of women of color throughout the St. Louis area.
The Smile Series is on display now through April 3, 2020.
Wayfinding by Cheryl Wassenaar
Terminal 2, Post-Security, between gates E33 & E34
Wayfinding by St. Louis artist Cheryl Wassenaar repurposes commercial, real estate, and business signage to indirectly communicate with travelers. By combining fragments of multiple signs from former local businesses, Wassenaar reimagines their original purpose and reclaims the region’s history.
The exhibition Wayfinding is composed of seven pieces made from found signage: dash, channel II, lock, decibel, parlance, towers of babble VN and AG, and the freestanding Tower of Babble 24. The final piece of the exhibition, You Call It a Cloud: Ascent is a custom-made 22’ long collage of metallic words on wood.
Wayfinding is on display through March 20, 2020.
Spectroplexus, by Graduate Students of Sam Fox School of Architecture and Design at Washington University
Terminal 2, Ticketing Level
Spanning nearly 100 feet, Spectroplexus reacts to the site with the idea of "confluence," addressing both the geographical context of St. Louis and the constant current of diverse passengers through the airport. The terminal itself is a unique space that exhibits various hybrid identities, such as organic movement versus rigid configurations of people, as well as the artificial mechanisms of flight. Spectroplexus reflects these concepts through a gradating array of geometric surfaces and the intricate armature on which it is suspended.
Sensación de Vuelo by Leonardo Nierman
Terminal 2 lawn, between domestic and international arrivals
The 10-foot tall sculpture, (which translated from Spanish means "Flying Sensation"), is constructed of intertwined steel ribbons that point to the sky and reflect the air and land above and below where visitors stand. The reflective steel may remind visitors of one of St. Louis’ most iconic images, the St. Louis Arch. Sensación de Vuelo was a gift by the artist to St. Louis on behalf of the people of Mexico.
Alight on St. Louis by Ellie Balk
Over 10 nights, Ellie Balk hand-painted some 30 different colors to create this abstract map drawn from the street grid of a section of St. Louis City. This map, located Terminal 2 Baggage Claim, Carousel 1 gives the viewers the feeling of soaring over St. Louis in a plane, as many of them just did.
Ebb and Flow IV by Megan Singleton
Megan Singleton’s work interprets USDA geospatial data of the Lower Missouri River watershed, which encompasses the area near the Airport. Singleton used pulp paper to mimic the lines of the watershed, which creates a dynamic relief along the wall. The opposite wall displays a series of botanical drawings of native Missouri aquatic plants. The drawings were laser cut from handmade paper, made from the very plants that the cut out drawings depict.
International Arrivals Baggage Claim
We Have Now Arrived by Susan Haejin Lee
Finding home and a sense of belonging at the airport is at the heart of this mural greeting international passengers arriving at St. Louis Lambert International Airport (STL). Located in the Customs Baggage Claim area in Terminal 2, We Have Now Arrived captures the timeless and symbolic reunions we see every day at airports between friends and families and those who have just arrived. Lee delivers fanciful portraits in vivid colors amongst a backdrop of a bustling, big, international city skyline. The mural stretches 34 feet across three-sides of a conveyor system atop the baggage carousel.